作品阐述 

   《失忆》
 
    用文字来阐述摄影作品本来就不是一件讨好的事，更何况是介绍针孔摄影作品。从拿起针孔相机来拍摄开始到现在，面对着一幅幅的作品，总有一种难以名状的感觉，尤其是在拍摄的过程中，整个人似乎处于一种漂浮状态，忘记了自己是在摄影，忘记了画面和构成，更多的是介于主观和客体之间的漂浮，姑且称之为“失忆”状态，这种“失忆”与所谓的“观念”、“主题”均不沾边，更像是一种精神上的慢慢地挥发和飘散。这是一个充满复杂变数的世界，一个现实与虚幻交错的世界，仿佛永远处于两个永不交错的极点，却又常常模模糊糊地搀杂在一起，有人说“某种程度上，与其说我在读图，不如说我在读自己的欲望”。从本组作品的拍摄手法和表现形式来说都还不太成熟，但却是内心自我本真的自由宣泄。
 
  
    Lost
   It seems that describing photographic works with words is not suitble, to say nothing of describing pinhole photographic works.From the very beginning of taking photoes with pinhole camera to present, I always have a complex feeling when I am facing the pieces of photo works.Especially during the process of creating, it seems that I am completely floating in a dreamlike state. I always forget that I am taking photos, even forget the images and forms. The state of waving between personality and impersonality can be named as a “Lost” state.This “lost” have no relasion with “conceptions” and “themes”. It rather like a mentally volatilization.This is a world filled with uncertain ingredience and a world between reality and illusion. The two ingredience of reality and illusion like two uttermosts, they never conjoin but always intermix.